By Written by Holly Hughes
March 19, 2007
About the fourth or fifth time I put this new Assembly of Dust CD on, I thought my player was still
on shuffle mode surely this wasnt a new CD; it must be one of my old favorites.
Thats the kind of armchair-comfy feeling I get from this band. I slip into listening
to it the way Id slip into a well-worn pair of jeans. And for me thats a good thing.
The press materials list a slew of classic acts that influenced Assembly of Dust, and sure,
I can hear elements of various well-known bands in their music. The thing is, theyre picking
up the right elements, and fusing them in tracks that make total musical sense. Put together
those magisterial Garth Hudson organ riffs from The Band, close harmonies on the order of
Crosby Stills & Nash, and a jazz-infused rhythmic groove that could have come from Steely Dan
what could be wrong with that?
Lead vocalist Reid Genauers earnest tenor calls to mind Jackson Browne, or maybe early
Daryl Hall (theres plenty of sweet soul music swirling around here too). Its like an
Americana melting pot, one that doesnt ignore Detroit or Philly, either; I dont have
to learn a new vocabulary to speak this language. I don't have to break in these shoes
before walking a mile in them.
As youd expect from an album titled Recollection, several tracks suggest tales told by
offbeat characters bootleggers, junkyard scavengers, factory workers but you dont
get coherent stories so much as rambling, cryptic reminiscences. The CD booklet prints
the lyrics, but its best just to let the phrases resonate as they occur or, as the
track Zero to the Skin puts it, Let the music carry you / Youre standing in your skin.
When you hear them sung, it's rhymes and vowel echoes that matter, not narrative like the
hypnotic refrain of my favorite track on the album,
"Samuel Aging": "Spells and curses / Bells and churches / Peeling bells / The silence swells /
Well well well." If I had to write an English paper I couldn't explain what it means but I don't
have to write an English paper on it. It's ROCK MUSIC. Get over it.
And as youd expect from a band named Assembly of Dust (think Dust Bowl, think dust-unto-dust
mortality, think down-to-earth and back-to-nature), there are acoustic guitars and moaning
pedal steel guitars and a wheezy organ, and a decidedly American inflection in Genauers vocals.
But this is one versatile band: on tracks like Honest Hour, lead guitarist Adam Terrell
gets downright country, though elsewhere (dig the opening of Truck Farm) he gets a little
psychedelic fuzztone. Keyboardist Nate Wilson can do honky-tonky piano as easily as trippy organ
solos, and he gets doggone funky on my other favorite track on this album,
"Whistle Clock" (Wilsons nimble riffs are one of the best things about this record,
by the way -- most of all because they never overstay their welcome).
It makes me wonder why this album hangs together as well as it does how do all these disparate
elements fuse so well? Its not a new sound theyve got, and not a retro sound either. Its just
Oh, maybe I should just shut up and enjoy it. When I listened to it intently, in Diligent Reviewer
mode, this record puzzled me. But when I put it on in the car and just drove? It made perfect sense.
When I put it on in the kitchen to help me chop and dice, my other other favorite track,
"40 Reasons", got me dancing around the stove. Life suddenly seemed good.
Recollection works the way music is supposed to through the right brain. Take it out for a spin
and youll see what I mean.